Hearts of Darkness

Imaginative, immediate, innovative, intense, energetic, exertive, exciting, evocative, curious, chaotic, compelling, creative… These some of the words scattered across my notebook as I scrambled to capture the spirit and sheer physicality of last night’s opening performance of Coming Together/ Attica , a powerful two-in-one presentation of contemporary dance at the David Mack Murray Studio in Halifax. A moving, minor-keyed musical mélange by members of Symphony Nova Scotia – led by principal violinist Robert Uchida – opened the evening’s events, setting a moody and brooding tone for the surreal soiree. Discordant drones, squeaks, squeals and a flurry of stops and starts evoked a spectrum of emotions, inviting the audience to explore their own hearts of darkness. The stringed quartet then merged with seven other musicians as a half-dozen dancers took the floor for Coming Together , the first piece of the program. In pairs, and then on their own, bodies bobbed and burst, jerking a...